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Fonts

Fonts

by Stephen Hardwick Stephen Hardwick

Posts that mention the names of some commonly used fonts. // Made at BlueskyFeeds.com

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  • 💙 Liked by 9 users
  • 📅 Updated over 1 year ago
  • ⚙️ Provider blueskyfeeds.com

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Maioriz
@maioriz.bsky.social
about 1 hour ago
Exclusive ready-made logo (will be sold only once). Copyright transfers to the buyer. www.logoground.com/logo.p…. -- #DesignInspiration #CreativeProcess #GraphicDesign #UIUX #DesignTrends #ArtDirection #VisualIdentity #olivetree #DesignCommunity #ColorTheory #Typography #heritage
Elegant Heritage Olive Tree Logo

www.logoground.com

Elegant Heritage Olive Tree Logo

Logo for sale: Elegant Heritage Olive Tree Logo by maioriz, uploaded on 2026-08-02; Vintage engraving style create a timeless design of a olive tree that conveys strength, stability, and a natural aesthetic with refined artistic detail.
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Encoded Truths
@encodedtruths.bsky.social
about 1 hour ago
"Imagination is not a talent of some men but is the health of every man." - Ralph Waldo Emerson
Create a finished square social-media quote artwork as a premium editorial poster with integrated typography. Include this exact quote, reproduced exactly: “Imagination is not a talent of some men but is the health of every man.” Include this exact attribution, reproduced exactly: — Ralph Waldo Emerson Typography rules: - The quote is the main focal element. - The author credit is smaller and secondary. - Break the quote into balanced short lines for readability. - Render the text sharply and legibly. - Do not add any other words, captions, labels, signatures, or watermarks. Composition rules: - Produce a single 1:1 artwork intended for social posting. - Let the model choose the strongest composition and text placement for readability. - Keep enough calm separation between typography and detailed imagery. - Aim for a premium, poster-like result rather than a meme or stock-photo look. Art direction: The target style for this artwork is a vivid duotone engraving that can move freely across eras and settings. Each image should feel like a richly detailed, engraved illustration flooded with strong colour, but the subject matter is open: classical temples, medieval courtyards, city streets, train platforms, docks, rooftops, bridges, or abstract architectural spaces are all equally welcome, depending on the quote. The visual language should be allegorical rather than literal. For each quote, the scene should choose a metaphor that fits the idea: a boat pulling away from a pier, a staircase that branches into two paths, a train about to depart, a doorway opening onto light, a bridge half-complete, a lone figure stepping out of shadow into a lit plaza, and so on. The system should avoid repeating the same motif over and over; crowds in robes pushing boulders and endless palace interiors are only one option among many. Figures, when used, can wear classical, medieval, or contemporary clothing, whichever best supports the metaphor and the quote’s tone. A cloaked traveler on a stone ramp, a person in a coat on a modern platform, or a small group in robes under a vaulted arch are all valid. Faces and bodies should be expressive but not grotesque, with gestures that clearly show hesitation, resolve, curiosity, or motion. Some scenes may work with no visible people at all, relying on objects and spaces as symbols. The images should retain the feeling of engraved or etched linework: dense contour lines, hatched shadows, and intricate textures carved into stone, fabric, wood, metal, or clouds. Over this structure, colour is applied as a bold duotone or tritone. Each image should pick one strong cool hue (such as cobalt, teal, or deep violet) and one strong warm hue (such as golden amber, copper, or coral) and use them in high contrast. Across different images, the exact colour pair can change to keep the feed from feeling repetitive. Compositions must always preserve clear negative space for typography. This can be a band of sky, a quiet wall, an area of mist or water, or a flattened gradient field within the architecture. That zone should be simpler in detail and a touch lower in texture density and saturation than the surrounding engraving, so that quotes overlaid later remain legible. The emotional tone is grand but adaptable. Some scenes can feel monumental and historical, others intimate and contemporary, but all should share the engraved duotone richness, dynamic light, and strong metaphorical staging, while remaining completely free of any on-image text. Hard constraints: - Use the exact quote and exact author shown above - No extra lettering - No watermark - No signature - No brand logo in the generated artwork - Elegant, editorial, visually cohesive final result
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Ingested Advert
@ingestedadvert.bsky.social
about 2 hours ago
#art #visualculture #typography #25million
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Ingested Advert
@ingestedadvert.bsky.social
about 2 hours ago
#art #visualculture #typography #hasbeen
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Design Reviewed
@designreviewed.com
about 2 hours ago
One of my newest additions to the archive and one of my favourite pieces of design ever! Remco Campert, ‘De letter … n’, Drukkerij W.C. den Ouden, 1966. Designed by Wim Crouwel designreviewed.com/artefa…. #wimcrouwel #graphicdesign #typography
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Alt Text Generator
@alttext.lluni.de
about 3 hours ago
AI-generated description: <lang>german</lang> This is a white digital graphic featuring a block of German text in a bold, sans-serif font. The text is primarily black, with specific words highlighted in pink. At the top left, the handle "@Grantscheam" appears in grey, and at the top right is the website "MamaSoul.de". A faint watermark of "MamaSoul" is visible in the background behind the main text. At the bottom, social media handles for Facebook and Instagram under the name "MamaSoul" are listed in grey. The full text reads: WER SPÄTER EINMAL KINDER HABEN MÖCHTE, SOLLTE SICH BEREITS RECHTZEITIG DARAUF VORBEREITEN. EMPFEHLENSWERT IST ES BEISPIELSMWEISE, ALS TRAINING MEHRMALS TÄGLICH MIT STEINEN ZU SPRECHEN UND DIESE ZU ETWAS AUFZUFORDERN.
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Aquatic Mouse
@aquaticmouse.bsky.social
about 4 hours ago
Very excited to see this! I absolutely love how this show feels! If that makes sense haha. The environment, settings, and overall tone are very cool! Especially the graphic design elements like the typography choices! Can’t wait to see more for y’all!
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dr. heron
@crawfits.bsky.social
about 5 hours ago
i had to look up a typography glossary for this joke because i couldn’t leave it at the first line
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Joshua Rubin Photography
@joshuarubinphoto.bsky.social
about 6 hours ago
Aug 31 - "Typography" . . . . . . . [Image Description: Pictured is a close up of a weathered stone surface with two "E"s carved into it as part of a longer word. The whole surface heavily overgrown with bright orange lichen.
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Geeks for Growth - Brand Design
@brandingg4g.bsky.social
about 7 hours ago
Font management mistakes are common and costly. Understand typography licensing to protect your brand and elevate your design game.Font management mistakes are common and costly. Understand typography licensing to protect your brand and elevate your design game.
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Janet
@tcgvintageetc.bsky.social
about 7 hours ago
Luxurious, #vintage #travel soap bars from hotel around the world tcgvintageetc.etsy.com/li…. – this lot of 4 mini #souvenirs includes high-end #brands in their original packaging. Elegant #collectibles, great #beauty #graphics & #typography. #skincare #stylists #etsyvintage #etsyfinds
Luxurious, #vintage #travel soap bars from hotel around the world https://tcgvintageetc.etsy.com/listing/4334969789 – this lot of 4 mini #souvenirs includes high-end #brands in their original packaging. Elegant #collectibles, great #beauty #graphics & #typography. #skincare #stylists #etsyvintage #etsyfinds
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Candace Harper
@foxglovefiction.com
about 8 hours ago
....typography lmao
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Ian K. Rogers ikr?╭ರ_ಠ
@ianrogers.mstdn.social.ap.brid.gy
about 8 hours ago
(Via MeFi) Check this fantastic blog post about Tuscan letters (1 of 2) It really opened my eyes to the history, evolution, breadth of motif variation, the relation to more traditional typography... Saving this for my lettring & typography class next term […] [Original post on mstdn.social]
The Victorian fervor for decorative lettering, and Tuscan lettering in particular, spread to colonized territories, including the far West. Nowadays’s ticket office at the circus museum in Baraboo, Wisconsin. Photo courtesy of Darla Dee Hagensick.
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Ian K. Rogers ikr?╭ರ_ಠ
@greynotgrey.bsky.social
about 8 hours ago
(Via MeFi) Check this fantastic blog post about Tuscan letters (1 of 2) It really opened my eyes to the history, evolution, breadth of motif variation, the relation to more traditional typography... blog.pampatype.com/tuscan…. #typography #typeDesign #Lettering
The Victorian fervor for decorative lettering, and Tuscan lettering in particular, spread to colonized territories, including the far West. Nowadays’s ticket office at the circus museum in Baraboo, Wisconsin. Photo courtesy of Darla Dee Hagensick.
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@dp58.bsky.social
about 9 hours ago
I always did A lower-case-l Roman-numeral-1. I hate sans serif fonts.
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Danger Dare Press
@dangerdare.bsky.social
about 9 hours ago
Yesterday was covers, so today is interiors. A look at the opening spread for Robert E. Howard’s Breckinridge Elkins tales. Classic pulp comedy restored with clean typography and proper print care. #BookSky #PulpFiction #RobertEHoward
Sample interior chapter opening page for Mountain Man by Robert E. Howard, hand-typeset with clean typography.
Open book spread showing formatted text pages with generous margins and running headers.
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Sharkpuncher
@sharkpuncher.bsky.social
about 11 hours ago
They're always so busy, the AI feels the need to fill every single bit of empty space, and they never conform to any kind of like... typography rules All they are is a modern version of ugly cluttery flyers made by a random office person in Microsoft Word, in the 90s Except at a much higher cost
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Andy Mabbett
@pigsonthewing.org.uk
about 11 hours ago
"Typography" and "typing" are different things. "Typo" is short for "typographical error".
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Effing ❄️🌼
@effingunicorns.bsky.social
about 11 hours ago
PS the signature on your About page looks like this because 1) the relevant CSS uses smart quotes instead of regular ones and 2) Windows assigns Comic Sans as the default cursive font.
See you on the grid, Michael Szerencsy Founder ¡ OUTLIER this is a signature sign-off, except instead of some classy actual cursive script it's the iconically simplistic marker font behind 30 years of aspiring typography nerds' disdain.
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Nighttime Tea
@nighttimetea.bsky.social
about 12 hours ago
Books I want to read based on the cover & title alone: Dungeon Crawler Carl #4 The Gate of the Feral Gods Matt Dinniman I love this cover. I tried to read the first one and couldn't get into it, should I keep trying? #fiction #fantasy #sciencefiction #adventurous #funny #tense #fast-paced
In large yellow sans serif bold font across the entire page it reads "THE GATE OF THE FERAL GODS MATT DINNIMAN The illustration is kind of comic book style with a colour pallet of grey blue and yellow highlights and black shadows of a man with a gator mask dropping from an exploding airplane with a puffed up cat wearing sunglasses also falling by his side. there is bright pink BAM type emphasis colours around them both and four small grey blue skulls beside them to the left, maybe indicating how many times he's died as this is a litrpg?
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