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all facets of digital culture and its analysis, ranging from digital humanities to cultural analytics. Uncover the intersections of technology, culture, and innovation in this diverse collection. // Made at BlueskyFeeds.com

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  • 📅 Updated almost 3 years ago
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Town Hall Seattle
@townhallseattle.bsky.social
about 3 hours ago
Last February, Chris Hayes was talking about slop before it became a buzzword. The MSNBC host and author of "The Sirens' Call" had much to say on how our culture has evolved alongside technology in the age of attention capitalism. 🎧 Listen to the event audio on our podcasts page: buff.ly/LdrQD9l
Smiling man in a suit holding a microphone while speaking at a Town Hall Seattle event, with overlaid quote by Chris Hayes on our current digital culture: "We are in the slop era. We are in the jello salad era."
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@utgermanic.bsky.social
about 6 hours ago
Alec Sotelo has spent the past two weeks at the European Summer University (ESU) in Digital Humanities Culture and Technology in Besançon, France! #utgermanic #utaustin #germanstudies #digitalhumanities
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Christiana Gregoriou
@cgregoriou.bsky.social
about 11 hours ago
Join our world‑leading English Language team & help shape the new Digital Humanities future at the University of Leeds. We’re hiring a Lecturer in English Language: jobs.leeds.ac.uk/Vacancy.…. For a separate opportunity, a lectureship in Creative Writing, see jobs.leeds.ac.uk/Vacancy.….
Job Opportunity at University of Leeds: Lectureship in English Language

jobs.leeds.ac.uk

Job Opportunity at University of Leeds: Lectureship in English Language

Ranked 29th in the world (QS 2026) English Language at the University of Leeds has a strong reputation for the quality of both its research and its teaching. Based in the School of English, the Englis...

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mia ridge
@miaout.bsky.social
about 15 hours ago
It's that time of year when @adho-org.bsky.social Executive Board, Officers, Committees and Journal Editors submit their reports ahead of the AGM at #DH2026. Reading the reports is a reminder of the constant, invisible work that so many good people to do support Digital Humanities internationally 🥰
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Jens Best
@jensbest.bsky.social
about 16 hours ago
Noch nicht auf Deutsch erhältlich, Leseempfehlung: New Digital Worlds Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy und Data Empire The Power of Information to Organize, Control, and Dominate

I used to work in Barnes and Noble. Here I am at my local B&N. When I told a bookseller it was mine, she got on the loud speaker and said, “There is an author in the building!” Another staff member came over and they asked me to sign my books and congratulated me. Thanks, B&N!

Me in the New & Noteworthy section of Barnes and Noble, holding DATA EMPIRE
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amoeba
@amoebadesign.bsky.social
1 day ago
is the figure at the intersection of fine art, AI commentary and digital culture in the UK in the room with you now?....
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shardcore
@shardcore.org
1 day ago
LLMing yourself is the new googling yourself:
claude response to “who is eric drass?”

• More recently, he's branched into music: under the name DRASS, he released a debut solo album called
"ON THE HILL," an audio-visual project described as a bleak, electronic song-cycle with treated vocals and unsettling lyrics. Drass
He's essentially a niche but well-regarded figure at the intersection of fine art, AI commentary, and digital culture in the UK.
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Mary from Bedford Falls
@maryhatchbailey.bsky.social
1 day ago
Congrats! Just so you know, plenty of folks at the Digital Humanities Summer Institute in Montreal were singing your praises this summer! 🌞📖
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Alan Liu
@alanyliu.bsky.social
1 day ago
#3) —e.g., guide to DH for dissertations & explanation of the importance of DH for the humanities at large today. In regard to the latter, part 4 of the series on “Why We Need the Digital Humanities” is really excellent. … (go to #4 in thread)
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Alan Liu
@alanyliu.bsky.social
1 day ago
#1) All parts of @adjb.co’s six-part series introducing the digital humanities are now up on his blog: www.adamdjbrett.com/blog/ I’m impressed by the quality and usefulness of this series, particularly by … (go to #2 in thread)
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Monica H Green
@monicamedhist.bsky.social
1 day ago
And here's the text from that part of the talk. "[W]hat has been happening, and I should think this would be predictable when you have a whole new bunch of evidence for any historical problem, things are going to change ..."
A section of the text for a talk, "Straining the History of Infectious Diseases: Europe's Two Black Deaths":

"What’s also been developing, and this is my neck of the woods, is digital 
humanities [slide #7]. What does digital humanities [click] have to do with 
these old books and old manuscripts? How is this transforming?
 
What it means is thatthe narrative we have of the Black Death—
in fact, the narratives that we have of almost all infectious [00:05:00] diseases prior to the 19th century—are verbal. They are human accounts of what humans have seen. Bringing in the physical evidence is this new discovery, this new amazing resource. But what it also means, and this is the essence of my argument, is that when we have new evidence of any kind, in this case new physical evidence, we also need to go back and look at our old evidence to see, do we need to read it differently? Is there something new that we can find? 

And the very fact that I can say to myself, “Hmm, I need to look again at the  compendium, the Consilium that the Paris Faculty of Medicine wrote to King Philip VI in 1348. I need to look at that again.” Five minutes later, I’m online and I have the digital reproduction [00:06:00] from Gallica, the Bibliothèque Nationale in France. Astounding resources that we have as 
premodernists now that we can reconnect with physical evidence [click]—physical evidence in this case being these written words and works of art. [click, click]

So I can look at images, I can look at texts that haven’t been edited I can look at texts that I've never seen before. I can re-look at inscriptions and writings in the margins that haven’t been studied before [click]. I can even look at texts that are in languages I don’t read [click], but then I can
pull on my colleagues and say, “Can you look at this again and see if you see something different?"
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Monica H Green
@monicamedhist.bsky.social
1 day ago
I am, too. But showing up & being visible & *explaining* what we do & what its value is--well, we just have to keep doing it as long as we can. Here are two slides from my talk, where I explained to an audience of mostly modernists what it means to engage w/ the medieval record in a whole new way.
A slide from a talk given in June, showing some examples of medieval manuscripts that can now be freely studied for questions in medical history, thanks to transformative work in the Digital Humanities.
A slide from a talk given in June, offering a quote from a 14th-century text describing the two waves of the Black Death. On the right side is an image from a 15th-century MS showing a surgeon incising plague buboes. The MS is described in Medieval Manuscripts in Bristol Collections: A Descriptive Catalogue, Edited by Kathleen E Kennedy, Melek Karataş, https://boydellandbrewer.com/book/medieval-manuscripts-in-bristol-collections-9781843847472/?v=0b3b97fa6688.
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@some-rss-feeds.bsky.social
1 day ago
[some-subscribed-rss] New Post: Who Will Save the Internet From Disappearing?, by www.currentaffairs.org/ne…
Teaser:

We've been told the internet is forever, but Mark Graham and Chris Freeland from the Internet Archive know better. In this critical interview, they reveal how swiftly our digital culture is dissolving: from scrubbed government archives and purged social media trails to streaming tracks that vanish overnight. As corporations lock facts behind paywalls while algorithms feed us unchecked falsehoods, we face a crisis where "the truth is paywalled, but the lies are free." Explore the fatal flaws in the web's design, the struggle to archive ephemeral content, and why saving our history depends less on code than on radical shifts in policy and library rights. Find out how the Wayback Machine fights back against the erasure of our collective memory.

teaser for https://www.currentaffairs.org/news/who-will-save-the-internet-from-disappearing
generated by qwen3.6-flash
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DHSS FAU Erlangen-NĂźrnberg
@dhssfau.bsky.social
1 day ago
DHSS at #DH2026! From 27–31 July, @mila-oiva.bsky.social , @anastasiaglawion.bsky.social and @tillmannohm.bsky.social will contribute to the Digital Humanities conference in Daejeon, South Korea, together with their research collaborators.
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Paranoid Loony Toon
@raccoonatic.bsky.social
1 day ago
digital culture. And I find it strange myself, because when I'm here every day, spending time online, digital culture engulfs me completely Although, I will say, I've passingly mentioned Furries to my OT, and she seemed to understand it as quickly as it was said. I had to finally tell her cause
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Columbia Journalism School
@columbiajournalism.bsky.social
1 day ago
Supported by this exclusive fellowship for Columbia Journalism School graduates, Maurice's project, "Violence, Visibility, and Femicide in Digital Kenya," will cover how digital culture is shaping public understanding of violence against women in Kenya.
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Jesse Walker
@notjessewalker.bsky.social
1 day ago
"She credits print culture with its highest achievements...and then charges digital culture with its worst"
Before You Panic About That Atlantic Reading Piece

www.millersbookreview.com

Before You Panic About That Atlantic Reading Piece

It’s Easy to Fear the Future When We Romanticize the Past

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RSE Award
@rse-award.bsky.social
1 day ago
Exzellentes RSE wollen wir auszeichnen! Aber ein Award ist nur so gut, wie die Fragen dahinter: • Wie integrieren wir alle Forschungsdisziplinen? • Wie gewichten wir die Bewertungskriterien? Gemeinsam mit der de-RSE und gefördert durch die @klaus-tschira-stiftung.de entsteht ein Award.
Drei Personen stehen interessiert vor unserem Award-Plakat. Links steht ein Mann mit einer Basecap und einem grünen T-Shirt. In der Mitte betrachtet eine Frau mit braunen Haaren das Plakat; sie trägt ein weißes Kleid mit schwarzen Streifen, eine schwarze Bluse darüber und einen Rucksack auf dem Rücken, während sie ein Glas in der Hand hält. Rechts daneben sitzt eine Person auf einem grünen Stuhl, trägt ein lila Marketing-T-Shirt und zeigt direkt auf das Plakat. Der Hintergrund besteht aus einer schlichten, grauen Wand
Beschreibung: Infoposter zur Planung und Strukturierung von Forschungssoftware-Awards (RSE Awards).Das Poster ist vertikal in drei Hauptabschnitte unterteilt:Zeitstrahl (Oben): Ein horizontaler Zeitstrahl für die Jahre 2026 bis 2028 zeigt die einzelnen Planungsschritte, aufgeteilt nach Monaten.Kategorien existierender RSE-Awards (Mitte): Drei Spalten listen aktuelle Award-Kategorien auf:Linke Spalte (Helmholtz Software Award): Unterteilt in „Best Scientific Software“, „Sustainability“ und „Newcomer“.Mittlere Spalte (US-RSE Technical Excellence Award): Unterteilt in „Reproducibility and Re-use“, „Modernization and Sustainability“ und „Mentorship in Craft“.Rechte Spalte (FAIR Data & Software Award Lower Saxony): Unterteilt in „Category Dataset“, „Category Software“ und „Category Special Prize“.Gewichtung und Sortierung (Unten): Der Abschnitt „Putting the pieces together: How to weight and sort the categories“ zeigt vier Spalten mit Kriterien:Subject/Disciplines: Beinhaltet Natural Sciences, Digital Humanities und Formal Science.Types of Research Paradigms: Beinhaltet Experimental, Empirical und Design-based Research.Readiness/Maturity: Beinhaltet Three-Tier Model of Research Software und Technology Readiness Level.Scope of Developers: Beinhaltet Number of Team Members, Level of Seniority und Involved Backgrounds.Abschluss: Ganz unten rechts befindet sich eine Würfel-Grafik, die weiterführende Links zur Webseite enthält.
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