A feed dedicated to Severus Snape posts across the skyline. // Made at BlueskyFeeds.com
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Welcome to Snapesky where you can find all
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#severussnape #snape #snart #snapesky
#halfbloodprince #severusprince
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- 𝐓𝐫𝐮𝐬𝐭 𝐭𝐡𝐞 𝐥𝐲𝐫𝐢𝐜𝐬, 𝐭𝐮𝐫𝐧 𝐨𝐧 𝐭𝐡𝐞 𝐜𝐚𝐦𝐞𝐫𝐚 😋𝜗ৎ
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𝒕𝒕/𝒊𝒏𝒔𝒕/𝒕𝒘𝒕/𝒕𝒖𝒎𝒃𝒍𝒓: 𝒏𝒆𝒊𝒄𝒌_𝒉𝒊𝒕𝒍𝒛
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#ALANRICKMAN #rickmantok #snapetok #severussnape #edit #fyp
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#WritingCommunity #WritingPrompts #WritingFest #SpringFlings #fanfic #SeverusSnape #LuciusMalfoy #traumamakesdrama
New story written for the Spring Flings prompt challenge.
archiveofourown.org/works…
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A moody, depresso Sneep probably being sad while wandering around in some highland fog 😶🌫️
#severussnape #professorsnape #severussnapefanart #hpfanart #hpfandom
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HBO's Harry Potter trailer just got ratioed 🧙♂️
268K likes. 290K dislikes, and growing.
And it hasn't even aired yet.
Here's why Paapa Essiedu's Snape breaks the story, not just the casting. 👇
geekrealmhub.com/harry-po….
#HarryPotter #Snape #HBO
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My latest essay, read aloud for the visually impaired: "Dead on Arrival; or, Rowling's Autopsy."
youtu.be/gHVLB3IZ_A4
tl;dr - tired of #token readers shilling a fascist transphobe and her franchise, trans fantasy nerd lays said author to rest
#fascism #harrypotter #snape #transphobia
Free P@lestine 🏳️🌈🏳️⚧️ 🔞@vanderwaardart.bsky.social
The essay (and extended bibliography/notes) to my initial response to the Birdman: an autopsy of the #HarryPotter franchise as a whole, alongside comparisons to #Tolkien and prior examinations of that author. 1/4 nicksmovieinsights.com/2026/04/dead... #fascism #snape #transphobia #racism #ableism
![This bibliography doubles as a script for a follow-up video to "Video Essay #2: @Th3Birdman's Bigotry—Black Excellence* in Harry Potter Fandom Furthers Transphobia" (2026). Its aim is less to focus on Birdman, tokenism, the monomyth, Rainbow Capitalism, or Black Snape (which the video essay covered already), and more to analyze Harry Potter—the character and the franchise/fans/parallel stores (e.g., Tolkien's orcs from Lord of the Rings), alongside J.K. Rowling's different bigotries—as "dead on arrival" inside a larger Gothic dialectic (of the alien as something to hug, fuck and "kill"; i.e., during social and material analysis, the ensuing synthesis seeing ludo-Gothic BDSM [calculated risk] push stubbornly towards Communism). The front half (the essay side) is complete; the second half (the bibliography side) will be "filled in," both when I read it on YouTube and whenever future readers stumble across its contents, themselves (a staging point for future offensives).
(source thumbnail: "The Birdman's Bigotry")
*With African Americans (of the token sort) sometimes forgetting that black people don't limit to North America. The struggle is global and no one party should monopolize oppression/reduce the struggle to race alone (or gender or class). Furthermore, if race-swapped Snape is a black Nazi, then Birdman is the black moderate/capitalist defending him and, by extension, HBO and Rowling for sanctioning the decision (re: "Exposing the Grift: Harry Potter and the Curious Case of Black Snape," which "Birdman's Bigotry" explores, above).](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:d2545ppta4lpznhyjvs4tl6p/bafkreie4fcsp3gcp3bfwqlvmevl4nplv5jcufrrlc6id4ndd4h6cp5pqay)
!["Whether it is right or advisable": Revenge of the Snapewife
"Whether it is right or advisable to create beings like Heathcliff, I do not know," Charlotte Brontë once wrote—specifically in the 1850 preface to Wuthering Heights (1847) after her sister, Emily (that story's author), died from tuberculosis[1]. Snape, by comparison, is a TERF doppelganger (the Gothic full of dead ringers/fatal portraits) and Harry Potter a chimera housing him and others (a castle of portraits). Written by a greedy knockoff of an already-troubled original, Rowling's baby is the copy of a copy of a copy whose murky origins face endless doubt (the simulacrum, from Plato)—something already dead on arrival, grown horrifyingly into a façade for capital that must be dissected and used for better purposes (similar to LotR or Star Wars but I digress). This means away from Omelas, mid-disguise; it includes Rowling as capital's vengeful housewife-turned-billionaire, pimping the planet into something equally dead (through Snape or otherwise, black or otherwise). Dead on arrival, the cause for HBO's stillborn remains something to dissect "in the crib" (as witches reputedly do). Even so, betrayal remains the obvious cause of death—both for the show and franchise, but also real-world brains and women/children who Rowling feasts on through Snape and company (the actual cannibal blaming the whore[2] DARVO-style to Goya-level extremes, above). So is Harry Potter a gateway to children's minds, readers who indoctrinate and canonize Snape as their casus beli—with trans people (or anyone capital treats as threat/weakling to prey upon) their false flag: to kettle and horribly devour, out of revenge. So Rowling's de facto students have the Snapewife's eternal revenge, during state vampirism (which relies on fascism to protect itself, feasting secretly alongside neoliberalism on capital's usual victims)!
[...] Our aim is transformation, camping the canon while turning into our true selves](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:d2545ppta4lpznhyjvs4tl6p/bafkreibx2dlxqpwm65p3mswmfu2qt4nknqjglhgloxd2fyadytegvgicka)
![[...] let's set the table (the essay "guts"):
-"The Worst Witch": Gives three points (signposts): the value in Gothic as trashy, the role that consuming Harry Potter plays in genocide, and the hypocrisy of those (often transphobes) who punch down at critics of the franchise.
-"Monomyth Necropolitics; or, It Does Not Do (to Leave a Live Dragon out of Your Calculations)": Weighs the perils of critiquing such things, analyzing various themes of predation that—if one isn't careful—can easily become reality.
-"Failing at YouTube (and Other Things); or, Why Bother Camping the Canon (re: Bad Empanada)": Partly why we should study media and how people respond to it (trashy or not), partly the story of my life leading up to my learning how to camp Gothic—in short, how I fell in love with Gothic as a nerdy mode, realized I was gay the whole time, and then made capital/state predation my bête noir to slay through camp.
-"Camping the Canon; or, Punching Up While 'On the Hip' (re: Cryptonymy and Abjection)": No longer the worst witch, I found myself facing different devices—cryptonymy and abjection—that apply not just to me, but Gothic stories like Harry Potter and LotR in duality.
-"Fortune Favors the Bold": Capital, like the Matrix, is a labyrinth to escape inside itself. This takes more than brains or brawn, but courage (the Triforce, in Zelda terms [...]
The Worst Witch
First and foremost, there's value in things that seem trashy or "Gothic," and which speak as much to Promethean subversion (camp) of the home as any monomyth endorsement of capital, the state/nuclear model and their predation (canon). Those who challenge this dogma are framed as outsiders, fools—the village idiot or, in Rowling's case, the worst witch[4] already playing with garbage others revile or celebrate. I've spent my entire life fighting capital and capital is far from finished. Yet here I am, tilting at windmills, seemingly the worst in my field and hopelessly outclassed:](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:d2545ppta4lpznhyjvs4tl6p/bafkreiccosyd46tbqr7hi7unxuswwfaah6q3xffcqaisipheghq2zaxsza)
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