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Welcome to the Bluesky Video Art feed - post your work, or share a piece that inspires you! Hashtags: #videoart #abstractvideo #experimentalvideo #abstractshortfilm #experimentalshortfilm // Made at BlueskyFeeds.com

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  • 💙 Liked by 16 users
  • 📅 Updated over 2 years ago
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Seán Wrenn
@seanwrenn.bsky.social
over 2 years ago
Welcome to the Bluesky Video Art feed 🎞️ Post your work, or share a piece that inspires you! Hashtags for this feed: #videoart #abstractvideo #experimentalvideo #abstractshortfilm #experimentalshortfilm
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bat bob
@bobs-band.bsky.social
about 1 hour ago
Baby vampires full Video #art
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lostjared
@lostjared.bsky.social
about 6 hours ago
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Sylvia Toy aka Sylviatoyindustries
@sylviatoystlouis.bsky.social
about 18 hours ago
Sylvia Toy, improvisation April 17 #sylviatoysfilmfestdeadlines #environment #LGBTQIA #feminist #videoart $5.50 for films on human rights of any length. International/completely inclusive eligibility. 9th year. May 10 filmfreeway.com/FESTPROFi….
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Epstein Web
@epsteinweb.bsky.social
about 19 hours ago
Parts 1-4/4 — EFTA02677322.jpg #epsteinweb #efta02677322 epsteinweb.org Available in the iOS app store now! apps.apple.com/us/app/eps…
EFTA02677319 | EFTA02677322
LCST

3050

Documenting Williamsburg Living Los Sures

Faculty: Zahedt Caveh

W

03:50 PM - 06:30 PM

LCST
Credits: 4

CRN 7556 Sec AX

Travel to the acclaimed Elrooklyn-based documentary company. UnionDocs. and contribute to the
exciting project, Living Los Sures. an ongoing transrnedia documentary on the historical Puerto
Rican barrio of South Williamsburg. Students will create short films with programmer Steve
Holrngren and the UnionDocs team, attend screenings, and participate in master classes and
professional development workshops. 2 Student Fellows with a proficiency in film production and
film editing will be selected to train other students in the use of the audio-visual equipment and
software.
LCST

3072

Mapping Time: Film & Video History and Theory

Faculty: Perlin, Jenny

F

09:00 AM - 11:40 AM

Credits: 4

CRN 6682 Sec AX

*Mapping Time Histories and Theories of Film/Video Installation* This seminar investigates
histories. strategies, and concepts of film and video art. The presentation of projected images in a
non-theatrical setting dates back to the early days of cinema. In this course we will look at film,
video, and media works that use space, sound, site-specificity, multiple channels. loops, and
absences as tools for communicating ideas. The course will address histories of projection
performance. from the days of magic lantern slides through Dada. Fluxus, and Happenings to
contemporary installation, multimedia performance & new technologies. Students will be expected
to read from a variety of historical, theoretical, literary. and art historical texts, write papers. and
give In-class presentations on historical and contemporary film and video artists. A component of
the course will take piece outside the classroom at museums, galleries, and performance spaces
throughout New York. Students will have opportunities to meet with art historians. cultural critics.
curators and contemporary artists about their practices at
a range of workshops and events
outside of class. [Tracks M and SI This four-credit course meets for fewer in-class hours than
others but requires additional outside of class activities.
LCST

3090

Category of Race: Theory, Genesis, Construction, Democracy

Faculty: Lee. Orville

TR

10:00 AM

11:40 AM

Credits: 4

CRN 7594 Sec A

"Category of Race: Theory. Genesis. Construction. Democracy* (Track CI This seminar examines
the origins and evolution of the category of race in America. We will consider the social and
cultural 'conditions of possibility for the existence, reproduction. contestation. and
democratization of this category. We will also weigh theoretical and methodological issues
pertaining to the study of *race* (Track CI
LCST

3107

Intimate Film Cultures

Faculty: Guilford. Joshua
MW 10:00 AM 11;40 AM
Credits: 4 CRN 5871 Sec A
*Intimate Film Cultures* (Track S. C & MI What's intimate about cinema? And what 0 if anything 0
is cinematic about intimacy? Within the framework of classical film theory, many of cinema's most
Intimate devices (the dose-up• the kiss. the photographic trace. etc.) were Invested with
redemptive potential, even deemed revolutionary by some for their capacity to counter modem
alienation and repression. More recently however• cultural theorists have problematized such
claims, analyzing how cinematic conventions work to structure intimate relations in accordance
with normative ideologies. and suggesting that the aspiration for intimacy may itself be crucial to
the operation of modern systems of power. Pairing classical and contemporary film theory with
diverse contributions to the emerging field of 'intimacy studies' this course explores such issues
by considering how problems of intimacy have organized critical and theoretical discourse on a
range of Intimate film cultures, from Hollywood melodrama to queer cinema. French surrealism to
Italian neorealism, and from underground film to contemporary diasporic cinema. [Track S, C &
MI

Office or the Dean

10/29/2013

3108

World Cinema

Faculty: Vega-lion& Silvia

TR

01:50 PM - 03:30 PM

Credits: 4

CRN 6184 Sec A

*World Cinema* (Tracks SI This course studies world cinema. initially understood as films of worldimportance. not produced in and for Hollywood. Beginning with the pioneering work of French
filmmakers, and highlighting German Expressionism of the early 1920s, as well as Russian
montage cinema of the late 1920s, the focus shifts to Latin America (Mexico and Argentina) as
well as China and Japan In the 1930s and 1940s. After WW II. the course will consider the
different 'new waves' in Westem Europe (Italian Neo-Realism. the French Nouvelle Vague, New
German Cinema) and Eastern Europe (Poland, Czech Republic. Hungary), From the 1970s
onwards, a politicised. anti- and post-colonial cinema emerges in parts of Latin America (Cuba.
Argentina, Brazil) and Sub-Sahara Africa (Maio, Senegal. Ethiopia. Burkina Faso). which also
reflects the increasing importance of intemational film festivals for world cinema. The 1980s
witness a strong presence of Asian films (from Taiwan. South Korea and Hong Kong). while the
1990s reflect the vitality of filmmaking in Mainland China. in Iran. as well as world-class directors
in Spain and Mexico. With the arrival of digital media and the spread of globalised culture since
the late 1990s. cinema everywhere has undergone such dramatic changes that the course will
conclude with new definitions of what is meant by 'world cinema' today. Readings in film history
and international film culture will be complemented by critical analyses of individual films. (Tracks
SI
LCST
3221 Oral Histories of LES
Faculty: Gtiff-Sleven, Hanna

TR

03:50 PM • 05:30 PM

Credits: 4

CRN 5877 Sec A

*Oral Histories of The Lower East Side: New Paths to Old Stories* (Track C & MI The Eldridge
Street Synagogue was the first of its kind in America a grand structure built by the newly arriving
Jewish immigrant community of Eastern Europe.
I will work with New School students on creative
ways to integrate new technologies such as digital documentation and digital stories into our
historic site. Students will be trained in oral history interviewing techniques. transcription, and the
evaluation of oral evidence. Each student will conduct an interview, transcribe and edit the
material and analyze our current use of technology. The theme for this semester will be food and
food memories of the Lower East Side. As a class students will create an
exhibition/prOgram/presentation using that technology Integrating the history, aesthetics and
spiritual qualities of our space. All classes except for the first one will be at the Museum at
Eldridge Street. 12 Eldridge Street NY NY 10002. This class will count towards a minor in Jewish
Studies. [Track C & MI
LCST

3223

Retro-Futurism

Faculty: Elchhorn, Cathleen

TR

10:00 AM - 11:40 AM

Credits: 4

CRN 6828 Sec A

*Retro-Futurism • (Track M & CI This course investigates how technologies and media were
imagined in the past and how obsolete technologies and media are re-imagined in the present.
Through an exploration of science fiction works and media artifacts, the first pert of the course
explores how our present and future lives were imagined by our late 19tAcentury to mid 20th.
century counterparts. The second part of the course examines contemporary subcultures from
Steampunk to Dieselpunk• which attempt to re-construct how people may have once imagined
future worlds. Required course texts include literary, theoretical and cinematic works by writers.
theorists and artists such as Jules Verne. William Gibson. Samuel Delany. Wolfgang Ernst and Zoe
Beloff. [Track M & C]

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CORVUS
@sylveontism.bsky.social
about 22 hours ago
lowkey wanna post my video art rn but i gotta wait till critique to post it
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G-Culture
@gcultureandarts.bsky.social
about 22 hours ago
Templo circular egipcio al descubierto; Libano solicita intervención para proteger sitios arqueológicos tras bombardeos; Festivales en Fort Worth y Noche de Video Art en Dallas; Continúan Buenos Aires Festival Internacional de Cine Independiente | Ep. 148 shows.acast.com/g-culture…. #art #arte
Templo circular egipcio al descubierto; Libano solicita intervención para proteger sitios arqueológicos tras bombardeos; Festivales en Fort Worth y Noche de Video Art en Dallas; Continúa Buenos Aires ...

shows.acast.com

Templo circular egipcio al descubierto; Libano solicita intervención para proteger sitios arqueológicos tras bombardeos; Festivales en Fort Worth y Noche de Video Art en Dallas; Continúa Buenos Aires ...

G-Culture Noticias Ep. 148; Viernes abril 17, 2026. Un recorrido por las novedades de la escena artística y cultural del mundo en minutos.

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Jessica Ritchey
@jmritchey.bsky.social
about 23 hours ago
I will say Lord of Illusions (1995) makes the Dr. Strange movies look even more anemic. A better match in tone of the mix of stage magician hokum and genuine mysticism, and there's always something interesting to look at. Even the chintzy early computer effects have aged into looking like video art.
A character floats against the ceiling pressed against a monstrous throne of bones and rotting strips of flesh
A character who has been impaled by swords lies in the foreground, with the characters looking distraughtly at the body shot through them.
A blood red sarcophagus floats in front of some bio-mechanical scenery on a stage
A character shot sitting behind his desk, lots of bric a brac and frames within the frame to keep the eye moving, and a little statue of kali on the desk in the foreground
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DK Film Studios
@dkfilmstudiosllc.bsky.social
1 day ago
Focus: Part 2 | Director's Commentary Clip 1 #experimentalshortfilm #fyp #film The director talks about deciding to make the film a continuation of the first Focus film Watch here: youtu.be/0QWHjqAIbnQ
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Irene Wiersma
@irenewiersma.bsky.social
1 day ago
'Het zou zo mooi zijn' - Nieuwe single, met animatie door Jonna Bo Lammers! Bekijk de hele clip hier: www.youtube.com/watch?v=V…. #animatie #animation #video #art #muziek
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cari ann shim sham*
@cariannshimsham.bsky.social
1 day ago
vj/dj party in my video art class this week
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@bluevoter24.bsky.social
1 day ago
I may not understand the symbolism, but I love the stained glass and other art! #churches #video #art #photography
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Gorilla
@gorillavanilla.bsky.social
3 days ago
Completed my first Art Trade with R theforgeofficial_. They did a fantastic job with my OC. Check them out on TikTok for their timelapse video. #art #arttrade #digitalart #OC
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.・゚☆Princess Mari☆゚・. 🐿️👑 SEPTEMBER LOOTATHON ✨
@mariposayarnio.bsky.social
3 days ago
Character Design and outfit by #MahkalaHime & #SelenaMustang Chibi Art by #ahnibi Rig by #YnuiRafa Video Art Design by #ClezArts
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SteveEveLibertineDreⒶm
@steveevelibertine.bsky.social
3 days ago
I truly love the Riding With Death MST3K ep, it’s my absolute favorite. So good!
Riding With Death MST3K video art
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